Casa Santos is an exploration of the possibilities of concrete to create community and sustainability in aesthetic harmony with the desert.
The project is made up of three houses distributed in eleven standard modules of 25 m2 each. Depending on its position and orientation on a compact plot of 2,000 m2, each module becomes a private room with a bathroom or a public living area where the kitchen, dining room and living room are combined.
The eleven adjoining modules, each belonging to a dwelling, interact with each other forming passages, alleys, patios and squares that emulate trace of a medieval town. If the brutalism of Louis Kahn echoes of the monumentality of the palace, the facades of Casa Santos recreate the intimacy of the first urban grids. In the opposite direction to proposed by the mansions of Cabo San Lucas, Casa Santos invites the community among its inhabitants.
The project is modulated by its own formwork system that provides flexibility by being able to exchange a position span to receive a door or a window in any wall of the module. The falsework system is made up of rolled steel sheets, where the mixture of sand-colored concrete. The project manages to understand the wall as a pure element that articulates the habitable. Every wall is at the same time a wall
interior, exterior facade, structure, texture and finish. The centering offers answers to the original questions of modern architecture: provides the possibility of a modular construction and accessible to scale, offers sustainability and climate resilience, and achieves an architecture austere and formal in harmony with the surrounding nature.
The cube module as a low-cost construction solution goes beyond its potential growth to scale. The steel sheets from the cast are recycled in the doors, gates and fences of the complex housing.
The collision of sunlight with the angle of the walls in the form of gutter generates a constant and changing shadow that works as protection thermal. Concrete provides relief from the desert heat as well as refuge in a seismic area facing the sea.
Beyond its constructive qualities, the set of modules of a plant is inserted into the landscape with the slightest trace of any building around it. Low key from afar, the walls form three interior alleys that run through the complex from east to west. The grid opens and closes to make way for three large fields of coexistence: in the east, in the center, and towards the west.
The project dances between pause and time in a clear allusion to scenery. Architecture is shown as a door to understand what was said by nature, and a window to see how life passes over the sky, the earth and ourselves.