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  • NAMELESS ARCHITECTURE
  • NAMELESS ARCHITECTURE
  • NAMELESS ARCHITECTURE
  • NAMELESS ARCHITECTURE
  • NAMELESS ARCHITECTURE
  • NAMELESS ARCHITECTURE
  • NAMELESS ARCHITECTURE
  • NAMELESS ARCHITECTURE
  • NAMELESS ARCHITECTURE
  • NAMELESS ARCHITECTURE

NAMELESS ARCHITECTURE

RW CONCRETE CHURCH BYEOLLAE-DONG 2013

PHOTO ESSAY BY KYUNG ROH

From the Publisher

From its early days, architectural photography has been a fundamental tool for the documentation of architecture, the city and the landscape, communicating with a vast audience. But things are changing rapidly today and the role of photographers is becoming more complex: their images do not only document, but to an increasing extent also interpret constructed space. There is less discussion and less writing about contemporary architecture. The visual languages are quickly filling the gap. Narrations in images by photographers are taking on a fundamental role, day by day, for the comprehension and transmission of contemporary architecture. These very personal interpretations can have a decisive impact on our perception of constructed space. This series examines architectural photographers who through their “lenses” are able to offer us privileged “viewpoints” for a better understanding of the space in which we live.

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This book is also available as part of this box set
PHOTO ESSAYS BOX 5
ALBERTO CAMPO BAEZA HOUSE OF THE INFINITE CÁDIZ 2014
JAN DE YONG   HOUSE WITH STUDIO. SCHAIJK 1956 PHOTO ESSAY BY KIM ZWARTS
DARIO PASSI LES HALLES PARIS 1979
ALBERTO CAMPO BAEZA  TURÉGANO HOUSE POZUELO MADRID
ARNE JACOBSEN  ST. CATHERINE’S COLLEGE OXFORD 1962  PHOTO ESSAY BY DANIEL HOPKINSON
2001. HERCULE. MONDORF PHOTO ESSAY BY MAXIME DELVAUX
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